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| Emittent | Banque de l'Indochine |
|---|---|
| Jahr | 1940-1963 |
| Typ | Standard circulation banknote |
| Nennwert | Anmelden um Details zu sehen |
| Währung | Anmelden um Details zu sehen |
| Material | Anmelden um Details zu sehen |
| Größe | Anmelden um Details zu sehen |
| Form | Anmelden um Details zu sehen |
| Druckerei | Anmelden um Details zu sehen |
| Designer | Anmelden um Details zu sehen |
| Stecher | Anmelden um Details zu sehen |
| Im Umlauf bis | Anmelden um Details zu sehen |
| Referenz(en) | Anmelden um Details zu sehen |
| Vorderseitenbeschreibung | Multicolour intaglio-printed note with a lively market scene vignette in the background and at left; a native woman is seated at right in the foreground. The issuer's name BANQUE DE L'INDOCHINE and denomination MILLE FRANCS appear alongside the place-name NOUMÉA, with artist credits L. JONAS FEC. and G. BELTRAND SC. in the lower margin. |
|---|---|
| Vorderseitenlegende | Anmelden um Details zu sehen |
| Rückseitenbeschreibung | Multicolour vignette with a native woman at left carrying a woven basket on her head, dressed in a floral wrap and wearing a flower in her hair, facing a bare-chested native man at right who holds a long spear; a tropical coastal landscape with palm trees and a calm bay occupies the centre ground. The denomination 1000 appears at both upper corners beneath the issuer cartouche, with an anti-counterfeiting legal notice in a panel at lower centre and engraver credits L. JONAS FEC. and G. BELTRAND SC. in the lower margin. |
| Rückseitenlegende | Anmelden um Details zu sehen |
| Unterschrift(en) | Anmelden um Details zu sehen |
| Sicherheitsmerkmal | Anmelden um Details zu sehen |
| Beschreibung der Sicherheitsmerkmale | Anmelden um Details zu sehen |
| Varianten | Anmelden um Details zu sehen |
| Anmerkungen |
The Banque de l'Indochine issued notes for a sprawling range of French territories, and this 1000 Francs is one of the more geographically specific: overprinted or designated for New Caledonia, with Nouméa as the named place of payment. The plate design itself dates to well before the war, and the Banque de France continued printing from it across a remarkably long window — the series ran through 1963, long after most comparable colonial emissions had been retired.
Jonas and Beltrand swapped roles between obverse and reverse — Jonas designed one face, Beltrand engraved it, and vice versa. An unusual reciprocal arrangement between two collaborators who worked together frequently in this period.