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1000 Francs CFA Gerenuk

Uitgever Republic of the Congo
Jaar 1999
Type Log in om details te zien
Waarde Log in om details te zien
Valuta Log in om details te zien
Samenstelling Log in om details te zien
Gewicht Log in om details te zien
Diameter Log in om details te zien
Dikte 2 mm
Vorm Log in om details te zien
Techniek Log in om details te zien
Oriëntatie Log in om details te zien
Graveur(s) Log in om details te zien
In omloop tot Log in om details te zien
Referentie(s) Log in om details te zien
Beschrijving voorzijde Log in om details te zien
Schrift voorzijde Log in om details te zien
Opschrift voorzijde Log in om details te zien
Beschrijving keerzijde The reverse presents a finely detailed naturalistic scene depicting two gerenuk (Litocranius walleri) in a savanna landscape: a recumbent female to the left and a standing male to the right, its characteristic elongated neck and lyre-shaped horns rendered with precision. Tall palm trees occupy the left field, with low vegetation and rocky ground beneath the animals. The binomial scientific name LITOCRANIUS WALLERI is inscribed vertically along the right margin in raised letters. The composition fills the rectangular flan to its raised border, with a proof-quality mirror field enhancing the sculptural relief.
Schrift keerzijde Log in om details te zien
Opschrift keerzijde Log in om details te zien
Rand Smooth
Muntplaats Log in om details te zien
Oplage Log in om details te zien
Aanvullende informatie

The gerenuk — a long-necked East African antelope — has no native range anywhere near the Republic of the Congo, which borders the Atlantic coast of Central Africa. Its appearance here reflects the wave of wildlife-themed legal tender programs that swept through small African nations in the late 1990s, where foreign minting houses contracted with governments to produce collector coins targeting the European and American numismatic market. The issuing country collected a licensing fee; the coin rarely, if ever, circulated.

The rectangular format is the tell — a deliberate production choice to distinguish the piece as a collectible object rather than circulating currency.

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