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| 正面铭文 | 1000 Jacob Burckhardt 1818-1897 1000 Banknoten sind strafrechtlich geschützt. Las bancnotas èn protegias dal dregt penal. Tausend Franken Milli Francs SCHWEIZERISCHE NATIONALBANK BANCA NAZIUNALA SVIZRA |
| 背面描述 | The central vignette presents an arched window of the Palazzo Strozzi in Florence, considered an exemplary monument of Renaissance architecture and a cornerstone of Burckhardt's scholarly legacy. Above, a detail from the Pergamon Altar frieze illustrates the Gigantomachy — the battle of giants against the Olympian gods — while the coffered dome of the Pantheon in Rome recedes into the background; a passage from Burckhardt's Weltgeschichtliche Betrachtungen is set as underprint text across the composition. At lower left, a schematic diagram renders Burckhardt's historiographical model, plotting the interrelations of state, religion, and culture across the epochs of Antiquity, the Middle Ages, the Renaissance, and the Age of Revolution against the axes of architecture, sculpture, and painting. |
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The eighth series was designed by Jörg Zintzmeyer and produced entirely by Orell Füssli — the SNB has relied on that single Zurich printer for its entire modern output, an unusual degree of vertical integration for a central bank of Switzerland's standing. Development of the series began in the 1980s and took nearly a decade before notes entered circulation, partly due to the SNB's exceptionally demanding security specification process.
The 1000-franc note has long been the highest-denomination regularly circulating banknote in Europe, a distinction that periodically attracts political pressure to abolish it. The SNB has consistently resisted, citing legitimate business demand. The eighth series was itself retired earlier than planned — the ninth series rollout, beginning 2016, accelerated following the SNB's 2015 decision to abandon the euro floor.