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1000 Francs
| Uitgever | Banque de l'Indo-Chine |
|---|---|
| Jaar | 1946 |
| Type | Log in om details te zien |
| Waarde | 1000 Francs |
| Valuta | Log in om details te zien |
| Samenstelling | Log in om details te zien |
| Afmetingen | Log in om details te zien |
| Vorm | Log in om details te zien |
| Drukker | Log in om details te zien |
| Ontwerper(s) | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | Log in om details te zien |
|---|---|
| Opschrift voorzijde | 1000 BANQUE DE L'INDO-CHINE DJIBOUTI ۱۰۰۰ ሺ MILLE FRANCS LE PRÉSIDENT LE DIRECTEUR GÉNÉRAL R. POUGHEON FEC. A. MARLIAT SC. (Translation: Bank of Indochina. 1000. One thousand francs. The president, the general director.) |
| Beschrijving keerzijde | Multicolour intaglio print over a multicolour guilloche underprint. A female figure holding a jug occupies the centre of the composition, with a ship vignette at lower left. Trilingual anti-counterfeiting text in French, Arabic, and Amharic frames the design, with denomination numerals in all three scripts and the engravers' credits at lower right. |
| Opschrift keerzijde | Log in om details te zien |
| Handtekening(en) | Log in om details te zien |
| Beveiligingstype | Log in om details te zien |
| Beschrijving beveiliging | Log in om details te zien |
| Varianten | Log in om details te zien |
| Opmerkingen |
This note was printed by the Banque de France but never reached Indochina in any meaningful quantity. In the immediate postwar period, the Banque de l'Indochine faced a chaotic monetary situation — Japanese military yen, piasters of dubious backing, and rival currencies issued under the brief independence declarations of 1945 had all fractured circulation. The 1946 series was largely overtaken by political events before distribution could be normalized, and many notes from this printing were administratively withdrawn rather than circulated.
Poughéon was a Prix de Rome laureate and established figure in French decorative arts; his involvement reflects how seriously the Banque de France treated colonial note design even at this late stage. Marliat and Armanelli were both house engravers at the Banque de France during the 1940s.