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| 表面の説明 | Printed in red-violet and turquoise intaglio over a green and light violet guilloche underprint, the obverse carries a finely engraved female head vignette in the upper right quadrant. The trilingual bank name in German, French, and Italian is arranged across the face, with the denomination numeral '1000' repeated in each corner. Artist and printer credits are lettered in the lower margin, with signature lines for the President of the Bank Council, a member of the Directorate, and the Chief Cashier. |
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| 表面の銘文 | ログイン して詳細を見る |
| 裏面の説明 | ログイン して詳細を見る |
| 裏面の銘文 | ログイン して詳細を見る |
| 署名 | ログイン して詳細を見る |
| 偽造防止技術 | ログイン して詳細を見る |
| 偽造防止の説明 | A female head matching the obverse portrait vignette, visible when held to light. |
| バリエーション | ログイン して詳細を見る |
| コメント |
The fifth series was commissioned in the late 1940s when the SNB concluded its wartime fourth series had aged poorly in both design and security. Pierre Gauchat, a Basel-trained graphic artist with strong ties to Swiss poster art, led the design work — an unusual choice given that most central banks of the period defaulted to established banknote specialists. Thomas De La Rue handled production throughout the entire print run, which stretched across two decades and generated an exceptional number of signature combinations: thirty-seven in total for this denomination alone, reflecting the SNB's practice of issuing notes dated to specific board decisions rather than print batches.
Demonetization came in 1978. Notes held past that deadline were redeemable at the SNB until 2000 under Swiss law, a policy that substantially reduced the number that entered collector hands as genuinely unspent examples.