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| 表面の銘文 | ログイン して詳細を見る |
| 裏面の説明 | Multicolour composition centred on a tropical landscape vignette in which a dugout canoe with two figures is set against a volcanic island backdrop and calm waters. A female portrait in colourful headwrap occupies the right side in intaglio. Guilloche borders frame the design on both sides, with the GUADELOUPE overprint repeated in the left and right margins, and the statutory counterfeiting warning inscribed in a panel at lower centre. |
| 裏面の銘文 | GUADELOUPE CAISSE CENTRALE DE LA FRANCE D'OUTRE-MER 1000 L'ART 139 DU CODE PÉNAL PUNIT DES TRAVAUX FORCES A PERPÉTUITÉ CEUX QUI AURONT CONTREFAIT OU FALSIFIÉ LES BILLETS DE BANQUE AUTORISÉES PAR LA LOI W. FEL. FEC. R. ARMANELLI SC. (Translation: Guadeloupe Central Fund of Overseas France Article 139 of the Penal Code punishes with forced labour in perpetuity those who have counterfeited or falsified bank notes authorised by law.) |
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| 偽造防止技術 | ログイン して詳細を見る |
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The Caisse Centrale de la France d'Outre-Mer was established by de Gaulle's provisional government in 1944 specifically to provide a parallel currency system for French overseas territories — distinct from metropolitan France's own postwar monetary reconstruction. This 1000-franc note falls within the immediate postwar stabilization period, when the CCFOM was simultaneously serving territories as geographically scattered as the Antilles, French Guiana, Réunion, and parts of the Pacific.
Poughéon was a Prix de Rome laureate and official painter of the Marine; his involvement reflects how seriously the French state treated colonial note design as a prestige commission. Hourriez's engraving work for the Banque de France in this period is considered among the finest intaglio output from the Paris atelier.