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1000 Francs
| Issuer | Caisse Centrale de la France d'Outre-Mer |
|---|---|
| Year | 1947-1949 |
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| Value | Log in to see details |
| Currency | Franc (1795-1960) |
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| Obverse description | Multicolour note overprinted with GUADELOUPE on both margins, applied to the P#26 French Equatorial Africa base note. Two women appear at right, rendered in intaglio, with a vignette of palm trees at left. The issuing authority and denomination are printed across the upper portion of the note. |
|---|---|
| Obverse lettering | Log in to see details |
| Reverse description | Multicolour composition centred on a tropical landscape vignette in which a dugout canoe with two figures is set against a volcanic island backdrop and calm waters. A female portrait in colourful headwrap occupies the right side in intaglio. Guilloche borders frame the design on both sides, with the GUADELOUPE overprint repeated in the left and right margins, and the statutory counterfeiting warning inscribed in a panel at lower centre. |
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| Comments |
The Caisse Centrale de la France d'Outre-Mer was established by de Gaulle's provisional government in 1944 specifically to provide a parallel currency system for French overseas territories — distinct from metropolitan France's own postwar monetary reconstruction. This 1000-franc note falls within the immediate postwar stabilization period, when the CCFOM was simultaneously serving territories as geographically scattered as the Antilles, French Guiana, Réunion, and parts of the Pacific.
Poughéon was a Prix de Rome laureate and official painter of the Marine; his involvement reflects how seriously the French state treated colonial note design as a prestige commission. Hourriez's engraving work for the Banque de France in this period is considered among the finest intaglio output from the Paris atelier.