Catalogus
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| Uitgever | Banque de l'Algérie et de la Tunisie |
|---|---|
| Jaar | 1946 |
| Type | Log in om details te zien |
| Waarde | Log in om details te zien |
| Valuta | Log in om details te zien |
| Samenstelling | Log in om details te zien |
| Afmetingen | 183 x 110 mm |
| Vorm | Log in om details te zien |
| Drukker | Log in om details te zien |
| Ontwerper(s) | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | Log in om details te zien |
|---|---|
| Opschrift voorzijde | BANQUE DE L'ALGÉRIE TUNISIE Mille Francs 1000 LÉON CARRÉ FEC. C. BELTRAND SC. L'ARTICLE 139 DU CODE PÉNAL PUNIT DES TRAVAUX FORCÉS À PERPÉTUITÉ LE CONTREFACTEUR |
| Beschrijving keerzijde | Log in om details te zien |
| Opschrift keerzijde | بنك الجزائر تونس ألف فرنك 1000 LÉON CARRÉ FEC. E. DELOCHE SC. |
| Handtekening(en) | Log in om details te zien |
| Beveiligingstype | Log in om details te zien |
| Beschrijving beveiliging | Log in om details te zien |
| Varianten | Log in om details te zien |
| Opmerkingen |
The Banque de l'Algérie, though nominally an Algerian institution, operated firmly under French metropolitan authority — its notes were printed in Paris and its monetary policy was set accordingly. This 1000 Franc denomination was the highest face value in circulation at the time of issue, placing it squarely in the hands of commercial transactions rather than everyday retail use, which means genuinely circulated examples show heavy handling.
Léon Carré was primarily known as a painter and illustrator of Orientalist subjects, and his involvement in banknote design for Algeria was a deliberate aesthetic choice by the bank's administration, not a standard engraving commission.