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1000 Francs
| Emittent | Commissariat National aux Finances (Free French) |
|---|---|
| Jahr | 1943 |
| Typ | Standard circulation banknote |
| Nennwert | Anmelden um Details zu sehen |
| Währung | Anmelden um Details zu sehen |
| Material | Anmelden um Details zu sehen |
| Größe | Anmelden um Details zu sehen |
| Form | Anmelden um Details zu sehen |
| Druckerei | Anmelden um Details zu sehen |
| Designer | Anmelden um Details zu sehen |
| Stecher | Anmelden um Details zu sehen |
| Im Umlauf bis | Anmelden um Details zu sehen |
| Referenz(en) | Anmelden um Details zu sehen |
| Vorderseitenbeschreibung | Black intaglio on green and multicolour underprint with pink tints. The Cross of Lorraine appears at top centre above two crossed palm branches, serving as the principal vignette of the Free French administration. The central field carries the promissory text and denomination value in red-brown numerals, surrounded by ornamental guilloche work. All legends are typeset in sans-serif capitals. |
|---|---|
| Vorderseitenlegende | 1000 Frs Sces NATIONAUX NOUVELLES BON MILLE Francais des HEBRIDES POUR FRANCS CONTROLE DU FRANC NEO HEBRIDAIS (Translation: French National Administration of the New Hebrides French Resident Commissioner The Accountant Cashier Control of Franc NEO HEBRIDAIS) |
| Rückseitenbeschreibung | Anmelden um Details zu sehen |
| Rückseitenlegende | Anmelden um Details zu sehen |
| Unterschrift(en) | Anmelden um Details zu sehen |
| Sicherheitsmerkmal | Anmelden um Details zu sehen |
| Beschreibung der Sicherheitsmerkmale | Anmelden um Details zu sehen |
| Varianten | Anmelden um Details zu sehen |
| Anmerkungen |
The Commissariat National aux Finances was the financial arm of the French National Committee operating out of Algiers, and these notes were produced to give de Gaulle's administration a functioning currency apparatus ahead of the liberation. P#3B is a signature variety within a series that also encompasses closely related types, and distinguishing between them requires careful attention to the signatory combinations rather than any visual redesign.
Wartime paper quality varies considerably across surviving examples — not as a grading caveat, but because supply constraints in North Africa made consistency impossible. Known to circulate in liberated French territories before the transitional postwar issues took over in 1944–45.