カタログ
| 表面の説明 | Blue intaglio print on cream paper. Neptune is shown at left and Salacia at right as flanking allegorical vignettes, with the denomination numeral and value text rendered in blue. The design is executed in a classical neoclassical engraving style with fine guilloche work surrounding the central text block. |
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| 表面の銘文 | ログイン して詳細を見る |
| 裏面の説明 | ログイン して詳細を見る |
| 裏面の銘文 | MILLE FRANCS 1000 |
| 署名 | ログイン して詳細を見る |
| 偽造防止技術 | ログイン して詳細を見る |
| 偽造防止の説明 | ログイン して詳細を見る |
| バリエーション | ログイン して詳細を見る |
| コメント |
The Banque Nationale de Belgique rarely commissioned outside printers once its own atelier was established in the early 1850s, and this note reflects that insularity — designed and engraved entirely in-house, with Pannemaker's work particularly worth noting. Adolphe-François Pannemaker was primarily known as a reproductive wood engraver of considerable standing in Paris and Brussels, a contributor to major illustrated publications of the period, and his presence on a banknote project was unusual for someone of his exhibition profile.
At 1000 Francs, this was the highest practical denomination in everyday Belgian commerce for much of the issue period, covering a span that bridged the Franco-Prussian War's economic aftershocks and Belgium's industrial boom years of the 1870s.