See full images - free registration
Continue with Google - no registration! or register with email

Why register? Just to keep bots out of our catalog. Your email stays private - we will never share it or send you anything uninvited. We guarantee you that!

1000 Escudos

Issuer Banco Nacional Ultramarino
Year 1929
Type Standard circulation banknote
Value Log in to see details
Currency Log in to see details
Composition Log in to see details
Size Log in to see details
Shape Log in to see details
Printer Log in to see details
Designer(s) Log in to see details
Engraver(s) Log in to see details
In circulation to Log in to see details
Reference(s) Log in to see details
Obverse description The obverse is printed in reddish-brown intaglio on a light ground, with the bank title BANCO NACIONAL ULTRAMARINO across the top and a branch inscription O THESOUREIRO DA FILIAL EM LOURENCO MARQUES below. The Portuguese royal arms appear at right within an ornate frame, and the date LISBOA, 1 de MARÇO de 1909 is printed at centre. A bold black letterpress overprint at left reads MIL ESCUDOS, with an additional black overprint of the denomination 1000 ESCUDOS at upper right; a circular red stamp of the bank and two manuscript signatures appear at lower centre.
Obverse lettering BANCO NACIONAL ULTRAMARINO
O THESOUREIRO DA FILIAL EM LOURENCO MARQUES
PAGARÁ À VISTA AO PORTADOR
MIL ESCUDOS
MOEDA CORRENTE NA COLONIA
LISBOA, 1 de MARÇO de 1909
O GOVERNADOR
O VICE GOVERNADOR
O GERENTE
1000 ESCUDOS
Reverse description Log in to see details
Reverse lettering Log in to see details
Signature(s) Log in to see details
Protection type Log in to see details
Protection description Log in to see details
Variants Log in to see details
Comments

Banco Nacional Ultramarino occupied a peculiar position in Portuguese colonial finance — it was a private institution holding a state concession, issuing currency across multiple territories simultaneously, from Mozambique to Timor. This 1000 Escudos note was issued for Portuguese Guinea, one of the smaller and economically thinner of those territories, which makes high-denomination survivor pieces comparatively rare relative to the Angola or Mozambique equivalents from the same period.

Bradbury Wilkinson produced fine-line intaglio work of consistently high quality for colonial issuers throughout the interwar decades. The 1929 date places this firmly in the period before the Estado Novo consolidated Lisbon's grip on colonial monetary policy.

YOU MAY ALSO LIKE