| Ön yüz açıklaması |
The obverse retains the original 1920 design issued under the Kingdom of Serbs, Croats and Slovenes, with Cyrillic and Latin inscriptions arranged around a central field. A security rosette overprint has been applied to the centre, bearing the legend of the National Bank of the Kingdom of Yugoslavia, distinguishing this later circulation issue from the original 1920 type. Printed signatures of the Board Member and Governor appear in the lower portion, with the denomination and statutory forgery warning in Cyrillic script. |
| Ön yüz lejandı |
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| Arka yüz açıklaması |
The reverse carries a central vignette of a Serbian ploughman in traditional dress and hat, guiding a pair of oxen across a field, with a watermark window to the left. Four urban panoramas occupy the corners: the Šeher-Ćehaj bridge with the Alifakovac settlement in Sarajevo (upper left), Ljubljana city centre with its old town (upper right), Zagreb's Ban Jelačić Square with the cathedral beyond (lower right), and a view of Belgrade along the Danube (lower centre). The composition reflects the multinational character of the Kingdom of Serbs, Croats and Slovenes. |
| Arka yüz lejandı |
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| İmza(lar) |
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| Koruma türü |
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| Koruma açıklaması |
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| Varyantlar |
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The Kingdom of Yugoslavia did not yet exist in 1920 — the state was formally named the Kingdom of Serbs, Croats and Slovenes until 1929, when Alexander I's royal dictatorship brought the renaming. Notes of this series, though retroactively catalogued under the Yugoslav issuer, were produced during a period of acute monetary instability as the new state struggled to unify the currencies of its constituent territories, including the Serbian dinar, Austro-Hungarian krone, and other regional instruments.
Fraipont was a Belgian commercial artist best known for his poster work; his involvement here points to the note's design originating outside ZIN's in-house capacity. Deloche's engraving is the more technically significant contribution.