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| Issuer | Narodna Banka Federativne Narodne Republike Jugoslavije (National Bank of the Federal People's Republic of Yugoslavia) |
|---|---|
| Year | 1946 |
| Type | Log in to see details |
| Value | Log in to see details |
| Currency | Log in to see details |
| Composition | Log in to see details |
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| Printer | Serbian state printer (ZIN - Zavod za izradu novčanica i kovanog novca), Beograd, Serbia (1929-date) |
| Designer(s) | Log in to see details |
| Engraver(s) | Log in to see details |
| In circulation to | Log in to see details |
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| Obverse description | Log in to see details |
|---|---|
| Obverse lettering | Log in to see details |
| Reverse description | Log in to see details |
| Reverse lettering | DINARA · ДИНАРИ 1000 ДИНАРА · DINARJEV СРБИЈА · ХРВАТСКА · СЛОВЕНИЈА · БОСНА И ХЕРЦЕГОВИНА · МАКЕДОНИЈА · ЦРНА ГОРА M.ZLAMALIK FEC. · ВЕЉКО А.КУН SC. |
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| Protection type | Log in to see details |
| Protection description | a geometric or portrait pattern visible when held to light |
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| Comments |
Yugoslavia's postwar monetary reform of April 1945 had already swept away the occupation-era currencies, but inflation and supply disruption meant high-denomination notes remained a practical necessity almost immediately. This 1946 issue was printed domestically at ZIN in Belgrade — a point worth noting given how many interwar Yugoslav notes had been farmed out to foreign printers. By this period ZIN had the capacity and political mandate to handle the work entirely in-house, and the choice reflected both nationalist priorities and the new government's desire for control over its own currency production.
Krnjajić on the obverse and Andrejević Kun on the reverse is an interesting pairing — Kun was a significant figure in Yugoslav applied arts, better known outside numismatics for his graphic and poster work.