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| Emittent | Tesouro Nacional do Brasil (Brazilian National Treasury) |
|---|---|
| Jahr | 1943 |
| Typ | Anmelden um Details zu sehen |
| Nennwert | Anmelden um Details zu sehen |
| Währung | Cruzeiro (1942-1967) |
| Material | Anmelden um Details zu sehen |
| Größe | Anmelden um Details zu sehen |
| Form | Anmelden um Details zu sehen |
| Druckerei | Anmelden um Details zu sehen |
| Designer | Anmelden um Details zu sehen |
| Stecher | Anmelden um Details zu sehen |
| Im Umlauf bis | Anmelden um Details zu sehen |
| Referenz(en) | Anmelden um Details zu sehen |
| Vorderseitenbeschreibung | Anmelden um Details zu sehen |
|---|---|
| Vorderseitenlegende | REPUBLICA DOS ESTADOS UNIDOS DO BRASIL SE PAGARÁ AO PORTADOR DESTA A QUANTIA DE 1000 1000 NO TESOURO NACIONAL 1000 1000 1000 1000 PEDRO ALVARES CABRAL 1000 1000 MIL CRUZEIROS VALOR RECEBIDO AMERICAN BANK NOTE COMPANY. (Translation: Republic of the United States of Brazil will pay to the bearer of the amount in the National Treasury Pedro Alvares Cabral One Thousand Cruzeiros Amount Received American Bank Note Company.) |
| Rückseitenbeschreibung | Printed in orange intaglio, the reverse bears a full reproduction of Victor Meirelles's celebrated 1860 painting 'Primeira Missa no Brasil' (First Mass in Brazil), occupying the central field beneath the caption 'PRIMEIRA MISSA'. The flanking inscriptions 'REPÚBLICA DOS / ESTADOS UNIDOS DO BRASIL' appear in panels to either side of the vignette, with the printer's imprint 'AMERICAN BANK NOTE COMPANY' at the base. |
| Rückseitenlegende | Anmelden um Details zu sehen |
| Unterschrift(en) | Anmelden um Details zu sehen |
| Sicherheitsmerkmal | Anmelden um Details zu sehen |
| Beschreibung der Sicherheitsmerkmale | Anmelden um Details zu sehen |
| Varianten | Anmelden um Details zu sehen |
| Anmerkungen |
Brazil's wartime finances leaned heavily on ABNC-printed currency throughout the early 1940s, and this 1000 Cruzeiros note is among the higher denominations to carry handwritten authorization signatures — a practice the Tesouro Nacional maintained for select issues as a control measure against unauthorized duplication. The "autographed" designation refers to those manuscript signatures applied by treasury officials, not pre-printed facsimiles, making each example technically unique in that narrow sense.
Victor Meirelles is best known as a 19th-century academic painter, one of the founders of the Escola Nacional de Belas Artes. His involvement here is as a design source rather than direct commission — ABNC adapted existing imagery from his work for the engraved vignettes.