Katalog
| Emittent | Banco Central de Bolivia |
|---|---|
| Jahr | 1928 |
| Typ | Anmelden um Details zu sehen |
| Nennwert | 1000 Bolivianos |
| Währung | Anmelden um Details zu sehen |
| Material | Anmelden um Details zu sehen |
| Größe | Anmelden um Details zu sehen |
| Form | Anmelden um Details zu sehen |
| Druckerei | Anmelden um Details zu sehen |
| Designer | Anmelden um Details zu sehen |
| Stecher | Anmelden um Details zu sehen |
| Im Umlauf bis | Anmelden um Details zu sehen |
| Referenz(en) | Anmelden um Details zu sehen |
| Vorderseitenbeschreibung | Anmelden um Details zu sehen |
|---|---|
| Vorderseitenlegende | EL BANCO CENTRAL DE BOLIVIA PAGARÁ AL PORTADOR A LA VISTA UN MIL BOLIVIANOS EN ORO O GIROS-ORO LA PAZ, Ley de 20 de Julio de 1928 (Translation: The Central Bank of Bolivia Will pay to the bearer at sight One Thousand Bolivianos in gold or gold bonds La Paz, Law from July 20th., 1928) |
| Rückseitenbeschreibung | Anmelden um Details zu sehen |
| Rückseitenlegende | Anmelden um Details zu sehen |
| Unterschrift(en) | series A handwritten signatures - Granier, Cuenca, Palacios series A handwritten signatures - Irahola, Pacheco, Morris series A handwritten signatures - Rodo, Céspedes, Morris series A printed signatures - Arce, Céspedes, Cuenca series A printed signatures - Arce, Prudencio, Cuenca |
| Sicherheitsmerkmal | Anmelden um Details zu sehen |
| Beschreibung der Sicherheitsmerkmale | Anmelden um Details zu sehen |
| Varianten | Anmelden um Details zu sehen |
| Anmerkungen |
The Banco Central de Bolivia was established by law in July 1928, replacing the older Banco de la Nación Boliviana, and this 1000 Bolivianos note belongs to that inaugural emission — one of the first series issued under the new central bank's authority. The unusually large number of signature combinations across the series reflects the institutional turbulence of the period; Bolivia cycled through board personnel rapidly, particularly in the years surrounding the Great Depression and the fiscal pressures that preceded the Chaco War.
The shift within the series from handwritten to printed signatures — three combinations of the former, two of the latter — suggests a mid-run production decision, possibly driven by volume demands or administrative preference.