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| 表面の説明 | Olive-green on light tan underprint. Oval vignette at left with an intaglio view of a traditional Chinese city gate with arched entrance and crenellated walls. The denomination 壹佰圓 is set within an ornate guilloche panel at right, flanked by floral rosette motifs. Two red seal impressions appear in the lower portion, with the issuer and date inscriptions printed at top and bottom. |
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| 表面の銘文 | ログイン して詳細を見る |
| 裏面の説明 | Dark olive-green on pale underprint. The central design features a lobed medallion enclosing the denomination 壹佰圓 flanked symmetrically by two confronting dragon vignettes, each perched amid cloud scrolls, with the numerals 100 to either side. The entire composition is surrounded by interlocking fine-line guilloche borders with scalloped corner cartouches bearing the denomination numeral 100. Signature inscriptions appear at left and right margins. |
| 裏面の銘文 | ログイン して詳細を見る |
| 署名 | ログイン して詳細を見る |
| 偽造防止技術 | ログイン して詳細を見る |
| 偽造防止の説明 | ログイン して詳細を見る |
| バリエーション | ログイン して詳細を見る |
| コメント |
By 1945, the Central Bank of China was printing money faster than it could manage the consequences. This 100 Yuan note entered circulation during the final year of the Second Sino-Japanese War, when wartime expenditure and Japanese military occupation of key economic zones had already sent inflation into a steep upward spiral. The Central Engraving and Printing Plant in Shanghai — which had operated under Japanese-controlled conditions for much of the war — resumed Nationalist production as the military situation shifted.
The note belongs to a series that would be entirely overwhelmed by hyperinflation within three years. By 1948, 100 Yuan was functionally worthless, and the Gold Yuan reform wiped the entire fabi currency system from circulation.