カタログ
全画像を表示 — 無料登録
Googleで続ける — 無料
またはメールで登録
登録が必要な理由は？ボットからカタログを守るためだけです。メールアドレスは非公開で、共有したり許可なくメールを送ることは一切ありません。それをお約束します！
| 表面の説明 | Portrait of Chiang Kai-shek in military uniform at right, rendered in intaglio against a fine guilloche underprint. The central vignette comprises a large quatrefoil rosette with intricate lacework surround bearing the denomination 壹佰圓 in bold characters. Two red seal stamps appear in the lower centre, and serial numbers are printed in red at upper left and upper right. |
|---|---|
| 表面の銘文 | ログイン して詳細を見る |
| 裏面の説明 | Intaglio vignette of the Central Bank of China building at left, rendered with fine architectural detail including a flagpole and surrounding grounds. To the right, a large guilloche rosette carries the numeral 100 and the legend ONE HUNDRED YUAN. Two facsimile signatures of the General Manager and Governor appear below the central design, with the date 1948 at the foot of the note. |
| 裏面の銘文 | ログイン して詳細を見る |
| 署名 | ログイン して詳細を見る |
| 偽造防止技術 | ログイン して詳細を見る |
| 偽造防止の説明 | ログイン して詳細を見る |
| バリエーション | ログイン して詳細を見る |
| コメント |
By mid-1948 the Central Bank of China was issuing currency in denominations that would have been unimaginable just three years earlier — a direct measure of how completely hyperinflation had consumed the fabi. This 100 Yuan note was already obsolete in practical terms almost the moment it was printed; the Gold Yuan reform of August 1948 replaced the fabi at a rate of 3,000,000 old yuan to one Gold Yuan, rendering the entire fabi series worthless within weeks.
The Central Engraving and Printing Plant ran continuously under wartime and post-war pressure, and quality control across late fabi issues is notoriously inconsistent.