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100 Sucres Banco Sur Americano
| Issuer | Banco Sur Americano |
|---|---|
| Year | 1920 |
| Type | Log in to see details |
| Value | Log in to see details |
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| Composition | Log in to see details |
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| Printer | American Bank Note Company |
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| Engraver(s) | Log in to see details |
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| Obverse description | Central vignette in intaglio engraving presents an allegorical seated female figure, likely Commerce or Liberty, flanked by two putti, set within an oval guilloche frame. To the left margin stands a winged allegorical figure with a cornucopia and caduceus. The denomination "100" appears in an ornate cartouche at upper right and repeated in a bold central panel flanked by the word "SUCRES" on either side, with the bank title "BANCO SUR AMERICANO" rendered in large serif lettering on a dark banner below the central vignette. |
|---|---|
| Obverse lettering | Log in to see details |
| Reverse description | No reverse image provided. The reverse of this Banco Sur Americano 100 Sucres note typically carries intricate guilloche lathe-work underprint with the denomination and bank name repeated in a symmetrical layout consistent with American Bank Note Company printing conventions of the period. |
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| Comments |
The Banco Sur Americano was one of several private Ecuadorian banks authorized to issue notes under the country's plural banking system, which persisted until the 1927 Kemmerer Mission reforms forced centralization and ultimately created the Banco Central del Ecuador. Notes from these smaller regional issuers were effectively swept from circulation during that transition, and most were redeemed and destroyed — survival rates for the Sur Americano series are correspondingly poor.
The American Bank Note Company's New York workshops handled most of Ecuador's private bank printing during this period, a relationship that continued across multiple issuers and denominations through the early 1920s.