目录
为什么需要注册?只是为了防止机器人访问我们的目录。您的邮箱完全保密——我们绝不会分享或在未经您许可的情况下发送任何内容。我们向您保证!
| 正面描述 | 登录 以查看详情 |
|---|---|
| 正面铭文 | 登录 以查看详情 |
| 背面描述 | A vignette of three agricultural workers harvesting on a pineapple plantation occupies the central field, with two pineapples rendered in the lower left foreground and a mountain range receding into the background. The composition reflects the agrarian economic themes characteristic of early Kenyan banknote design. |
| 背面铭文 | 登录 以查看详情 |
| 签名 | Leon Barawski / Gevau |
| 防伪类型 | 登录 以查看详情 |
| 防伪描述 | 登录 以查看详情 |
| 变体 | 登录 以查看详情 |
| 备注 |
Kenya's earliest banknotes, including this series, were issued almost immediately after the East African Currency Board was wound down — a deliberate assertion of monetary independence from the shared East African currency that had served Kenya, Uganda, and Tanzania since the colonial period. The Central Bank itself had only been established in 1966, making this among the very first notes it ever issued.
Bradbury Wilkinson's New Malden works handled much of Anglophone Africa's early post-independence printing. The Arabic numeral variant exists because Kenya's coastal population included a significant Arabic-literate community, and the bilingual format was a practical accommodation rather than a decorative choice.