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| Uitgever | Bank Indonesia |
|---|---|
| Jaar | 1977 |
| Type | Log in om details te zien |
| Waarde | Log in om details te zien |
| Valuta | Log in om details te zien |
| Samenstelling | Log in om details te zien |
| Afmetingen | Log in om details te zien |
| Vorm | Log in om details te zien |
| Drukker | Log in om details te zien |
| Ontwerper(s) | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | P#116 |
| Beschrijving voorzijde | Log in om details te zien |
|---|---|
| Opschrift voorzijde | BANK INDONESIA 100 SERATUS RUPIAH 1977 |
| Beschrijving keerzijde | The reverse presents a richly detailed intaglio vignette of a Javan rhinoceros within a dense tropical jungle setting, framed by lush palm fronds and forest vegetation. A large guilloche oval occupies the left portion of the note, with a decorative '100' numeral rendered in ornate lettering at the lower left. The denomination inscription in bold capitals runs along the lower margin, accompanied by a two-line anti-counterfeiting warning text in Indonesian. |
| Opschrift keerzijde | Log in om details te zien |
| Handtekening(en) | Log in om details te zien |
| Beveiligingstype | Log in om details te zien |
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| Opmerkingen |
Perum Peruri — the state security printing firm formally established in 1971 — had by 1977 developed sufficient capacity to handle Indonesia's full domestic note production, and this 100 Rupiah is among the earlier issues printed entirely in-house without European contractor involvement. The infrastructure shift was deliberate government policy following years of reliance on foreign printers during the Sukarno and early Suharto periods.
Pick 116 is a common note. Heavily circulated examples dominate the market, which is expected for a low-denomination note in daily use during a period of persistent inflation that steadily eroded its purchasing power through the late 1970s and into the 1980s.