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| Uitgever | Bank Indonesia |
|---|---|
| Jaar | 1959 |
| Type | Log in om details te zien |
| Waarde | 100 Rupiah |
| Valuta | Log in om details te zien |
| Samenstelling | Log in om details te zien |
| Afmetingen | Log in om details te zien |
| Vorm | Log in om details te zien |
| Drukker | Log in om details te zien |
| Ontwerper(s) | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | Log in om details te zien |
|---|---|
| Opschrift voorzijde | Log in om details te zien |
| Beschrijving keerzijde | Log in om details te zien |
| Opschrift keerzijde | 100 BARANGSIAPA MENIRU ATAU MEMALSUKAN UANG KERTAS DAN BARANGSIAPA MENGELUARKAN DENGAN SENGADJA ATAU MENJIMPAN UANG KERTAS TIRUAN ATAU UANG KERTAS JANG DIPALSUKAN AKAN DITUNTUT DIMUKA HAKIM |
| Handtekening(en) | Log in om details te zien |
| Beveiligingstype | Log in om details te zien |
| Beschrijving beveiliging | A rhinoceros hornbill head visible in the paper when held to light. |
| Varianten | Log in om details te zien |
| Opmerkingen |
The 1959 Indonesian 100 Rupiah was issued during a period of acute monetary instability — the government launched a currency reform that same year, slashing the face value of high-denomination notes by half and requiring registration of holdings above a set threshold. The measure was aimed squarely at suppressing inflation and undermining black market cash hoards accumulated during the Sukarno-era spending boom.
Thomas De La Rue's involvement here is routine for the period; Indonesia relied heavily on foreign printers through the late 1950s before developing domestic capacity. The watermark is the sole mechanical security feature, which made competent counterfeiting a persistent concern.