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| Uitgever | National Bank of the Republic of Belarus |
|---|---|
| Jaar | 2016 |
| Type | Log in om details te zien |
| Waarde | Log in om details te zien |
| Valuta | Log in om details te zien |
| Samenstelling | Log in om details te zien |
| Afmetingen | Log in om details te zien |
| Vorm | Log in om details te zien |
| Drukker | Log in om details te zien |
| Ontwerper(s) | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | P#41 |
| Beschrijving voorzijde | Log in om details te zien |
|---|---|
| Opschrift voorzijde | Log in om details te zien |
| Beschrijving keerzijde | The reverse carries a thematic collage devoted to Belarusian theatrical and folk festival traditions, incorporating a violin, a tambourine, and a zhaleika woodwind instrument alongside the ornamental belts of Słutsk. Symbols of traditional folk festivals are interspersed throughout the composition, including a Kalyady star, a ceremonial she-goat, and a Batlejka folk puppet theatre scene. The denomination numeral is placed in the lower portion of the design. |
| Opschrift keerzijde | 100 РУБЛЁЎ (Translation: 100 Rubles) |
| Handtekening(en) | Log in om details te zien |
| Beveiligingstype | Log in om details te zien |
| Beschrijving beveiliging | Log in om details te zien |
| Varianten | Log in om details te zien |
| Opmerkingen |
This note belongs to the 2016 redenomination series, in which Belarus effectively lopped four zeros off its currency — 100 old roubles became 1 new kopek. The scale of that collapse reflects over two decades of chronic inflation following independence, with the rouble having depreciated so severely that the pre-reform 100,000-rouble note was the workaday grocery-shopping denomination.
Thomas De La Rue handled the printing contract, as they did for much of the new series. The security specification is notably lean for a De La Rue production of this period — watermark and thread only, with none of the optically variable elements more common in their higher-value contemporaries from the same issue.