目录
为什么需要注册?只是为了防止机器人访问我们的目录。您的邮箱完全保密——我们绝不会分享或在未经您许可的情况下发送任何内容。我们向您保证!
| 正面描述 | Portrait of Yang di-Pertuan Agong Tuanku Abdul Rahman in traditional Malay royal dress and songkok at right, set within an ornate guilloche vignette. The denomination "SERATUS RINGGIT" is printed in large intaglio letters at centre-left, with the bank title "BANK NEGARA MALAYSIA" across the top and a facsimile signature of the Governor below the central inscription. A stylised floral and scroll underprint in blue tones covers the field, with the numeral "100" rendered in large figures at lower left. |
|---|---|
| 正面铭文 | Bank Negara Malaysia Wang kertas ini sah di-perlakukan dengan nilai Seratus Ringgit |
| 背面描述 | 登录 以查看详情 |
| 背面铭文 | 登录 以查看详情 |
| 签名 | 登录 以查看详情 |
| 防伪类型 | 登录 以查看详情 |
| 防伪描述 | 登录 以查看详情 |
| 变体 | 登录 以查看详情 |
| 备注 |
This note belongs to the third series issued by Bank Negara Malaysia, a run that quietly marked the transition away from the heavily British-influenced aesthetics of the early independence issues. Thomas De La Rue had printed Malaysian currency since before independence, and by the early 1980s the relationship was well established — though domestic printing capacity through the Security Printing Branch was expanding and would eventually displace London as the production centre for lower denominations.
The 100 Ringgit is the highest denomination in P#24's series, which made it a natural target for counterfeiting pressure during the period. Security thread technology in early 1980s De La Rue production was still the embedded metallic strip rather than the windowed variants introduced later in the decade.