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100 Rials Mohammad Rezā Pahlavī
| Uitgever | Bank Markazi Iran |
|---|---|
| Jaar | 1964-1965 |
| Type | Log in om details te zien |
| Waarde | 100 Rials (100 IRR) |
| Valuta | Log in om details te zien |
| Samenstelling | Log in om details te zien |
| Afmetingen | Log in om details te zien |
| Vorm | Log in om details te zien |
| Drukker | Log in om details te zien |
| Ontwerper(s) | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | Log in om details te zien |
|---|---|
| Opschrift voorzijde | Log in om details te zien |
| Beschrijving keerzijde | A detailed intaglio vignette of the Abadan Oil Refinery complex occupies the central field, rendered in deep rose-carmine with fine engraved linework conveying the sprawling industrial architecture of towers, pipelines, and processing units. The bank name BANK MARKAZI IRAN is inscribed in Latin script within a scalloped cartouche at the top, while the denomination RIALS 100 appears along the bottom margin in Latin characters, flanked by صد ریال in Persian at the corners. The Persian caption پالایشگاه آبادان identifying the refinery is printed below the central vignette, and the whole composition is framed by an ornate guilloche border. |
| Opschrift keerzijde | BANK MARKAZI IRAN RIALS 100 صد ریال پالایشگاه آبادان (Translation: Bank Markazi Iran, 100 Rials, One Hundred Rials, Abadan Oil Refinery) |
| Handtekening(en) | Log in om details te zien |
| Beveiligingstype | Log in om details te zien |
| Beschrijving beveiliging | Log in om details te zien |
| Varianten | Log in om details te zien |
| Opmerkingen |
Harrison & Sons held the Bank Markazi contract through much of the Pahlavi period, printing successive signature varieties as governors changed — P#80 runs across two fiscal years and encompasses at least three known signature combinations, making date-letter attribution the primary challenge for series specialists. The watermark used here is integral to the paper, not applied post-print, which is worth noting given how frequently trimmed or washed examples circulate in this series.