Catalogus
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| Uitgever | Royal Mint |
|---|---|
| Jaar | 2003 |
| Type | Log in om details te zien |
| Waarde | 100 Pounds |
| Valuta | Log in om details te zien |
| Samenstelling | Log in om details te zien |
| Gewicht | Log in om details te zien |
| Diameter | Log in om details te zien |
| Dikte | Log in om details te zien |
| Vorm | Log in om details te zien |
| Techniek | Log in om details te zien |
| Oriëntatie | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | Log in om details te zien |
|---|---|
| Schrift voorzijde | Latin |
| Opschrift voorzijde | Log in om details te zien |
| Beschrijving keerzijde | Log in om details te zien |
| Schrift keerzijde | Log in om details te zien |
| Opschrift keerzijde | Log in om details te zien |
| Rand | Log in om details te zien |
| Muntplaats | Royal Mint, Llantrisant |
| Oplage | Log in om details te zien |
| Aanvullende informatie |
The 2003 date places this squarely within the Britannia gold series as relaunched in 1987, when the Royal Mint introduced the .9167 fineness — a deliberate echo of the historic gold sovereign alloy rather than the .9999 standard adopted by competitors like the Maple Leaf and Krugerrand. The choice was commercial as much as traditional: it differentiated the Britannia in a crowded bullion market while maintaining continuity with centuries of British gold coinage practice.
Ian Rank-Broadley's fourth portrait of Elizabeth II, introduced in 1998, appears here in only its fifth year of use on the Britannia series.