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100 Pounds Bank of Scotland
| Emittent | Bank of Scotland |
|---|---|
| Jahr | 1935-1951 |
| Typ | Anmelden um Details zu sehen |
| Nennwert | Anmelden um Details zu sehen |
| Währung | Anmelden um Details zu sehen |
| Material | Anmelden um Details zu sehen |
| Größe | Anmelden um Details zu sehen |
| Form | Anmelden um Details zu sehen |
| Druckerei | Anmelden um Details zu sehen |
| Designer | Anmelden um Details zu sehen |
| Stecher | Anmelden um Details zu sehen |
| Im Umlauf bis | Anmelden um Details zu sehen |
| Referenz(en) | P#95A |
| Vorderseitenbeschreibung | The upper portion carries the bank's royal arms vignette at centre, flanked by two cartouches each bearing the denomination ONE HUNDRED in red letterpress, with a large medallion bearing the bank's coat of arms at left. The city of issue EDINBURGH and the date appear at upper right, while the serial number is printed in two positions. The lower half presents the bank title BANK OF SCOTLAND in large serif capitals above the promise-to-pay legend in script lettering, with the numeral £100 printed in guilloche underprint at lower left and right, and a single manuscript signature of the cashier across the centre. |
|---|---|
| Vorderseitenlegende | Anmelden um Details zu sehen |
| Rückseitenbeschreibung | The reverse is essentially unprinted, showing a plain white paper surface with show-through of the obverse design visible as a faint mirror impression through the note, consistent with the single-sided printing practice used by Scottish banks for high-denomination notes of this period. |
| Rückseitenlegende | Anmelden um Details zu sehen |
| Unterschrift(en) | Anmelden um Details zu sehen |
| Sicherheitsmerkmal | Anmelden um Details zu sehen |
| Beschreibung der Sicherheitsmerkmale | Anmelden um Details zu sehen |
| Varianten | Anmelden um Details zu sehen |
| Anmerkungen |
Bank of Scotland's higher denominations from this period were printed by George Waterston & Sons, the Edinburgh firm that handled the bank's note production for decades — a domestic arrangement that kept the work entirely within Scotland, unlike contemporaries who contracted Thomas De La Rue or Bradbury Wilkinson in London. Waterston's output is generally consistent, though the wartime paper supply constraints between 1939 and 1945 occasionally affected stock quality across all Scottish issuers.
A £100 note circulating in this window was strictly a commercial instrument — clearing house settlements, large merchant transactions, institutional transfers. Retail use was essentially nil. Survival rates for high-denomination Scottish notes of this era are low not because of destruction, but because most were redeemed and cancelled through banking channels rather than passing through multiple hands.