See full images - free registration
Continue with Google - no registration! or register with email

Why register? Just to keep bots out of our catalog. Your email stays private - we will never share it or send you anything uninvited. We guarantee you that!

100 Piastres

Issuer Banque de l'Indochine
Year 1947-1954
Type Log in to see details
Value 100 Piastres (100 ICFP)
Currency Log in to see details
Composition Log in to see details
Size Log in to see details
Shape Log in to see details
Printer Log in to see details
Designer(s) Log in to see details
Engraver(s) Log in to see details
In circulation to Log in to see details
Reference(s) Log in to see details
Obverse description Left side vignette of Mercury in classical intaglio style, shown as a bust with winged helmet and caduceus, rendered against a fine guilloche underprint. The denomination '100' appears in large numerals at upper centre, flanked by decorative foliate motifs including oak leaves at right. The issuer's title and denomination inscription occupy a red panel at upper right, with two signature lines and serial number printed in black.
Obverse lettering Log in to see details
Reverse description Log in to see details
Reverse lettering Log in to see details
Signature(s) Log in to see details
Protection type Log in to see details
Protection description Log in to see details
Variants P#82a - Old Lao text on back
P#82b - New Lao text on back
Comments

The Banque de l'Indochine's 100 Piastres series issued across this period straddled an increasingly untenable political situation — the First Indochina War began in late 1946, and notes of this denomination were circulating through a territory actively fragmenting into what would become Vietnam, Laos, and Cambodia. The Banque de l'Indochine itself was a private commercial institution chartered in Paris, not a government central bank, which made its continued role as currency issuer during wartime an arrangement of considerable political awkwardness.

Gaspérini's engraving work for the Banque de France was consistently fine-line, and this note reflects that — though the design credit going to Sébastien Laurent places the artistic conception separately from the intaglio execution, a division typical of Banque de France commissions.

YOU MAY ALSO LIKE