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100 Pesos Convertibles de Curso Legal 2nd issue
| Uitgever | Banco Central de la República Argentina |
|---|---|
| Jaar | 1999-2002 |
| Type | Standard circulation banknote |
| Waarde | Log in om details te zien |
| Valuta | Log in om details te zien |
| Samenstelling | Log in om details te zien |
| Afmetingen | Log in om details te zien |
| Vorm | Log in om details te zien |
| Drukker | Log in om details te zien |
| Ontwerper(s) | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | Log in om details te zien |
|---|---|
| Opschrift voorzijde | Log in om details te zien |
| Beschrijving keerzijde | Central vignette reproducing Juan Manuel Blanes's painting 'La Conquista del Desierto', illustrating a military scene from the 1879 desert campaign. A biographical text panel devoted to Julio Argentino Roca occupies the right portion, while the denomination and republic name appear in the upper register. The overall colour scheme is dominated by deep rose and brown tones with green numerals. |
| Opschrift keerzijde | Log in om details te zien |
| Handtekening(en) | Log in om details te zien |
| Beveiligingstype | Watermark, Security thread |
| Beschrijving beveiliging | Log in om details te zien |
| Varianten | Log in om details te zien |
| Opmerkingen |
This note circulated through one of the most turbulent monetary episodes in modern Latin American history. The convertibility regime it references — established by the 1991 Convertibility Law, which pegged the peso one-to-one with the US dollar — collapsed spectacularly in late 2001 and early 2002, triggering a sovereign default, bank freezes known as the corralito and corralón, and a currency devaluation that rendered the "convertible" designation meaningless overnight.
Notes from the final production years of this series were issued into an economy already under severe stress, and many were effectively frozen in blocked accounts before they ever changed hands freely.