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100 Pesetas replica
| Uitgever | Banco de España |
|---|---|
| Jaar | 1946 |
| Type | Log in om details te zien |
| Waarde | Log in om details te zien |
| Valuta | Log in om details te zien |
| Samenstelling | Log in om details te zien |
| Afmetingen | Log in om details te zien |
| Vorm | Log in om details te zien |
| Drukker | Fábrica Nacional de Moneda y Timbre, Spain |
| Ontwerper(s) | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | Intaglio portrait of Francisco de Goya in three-quarter view occupies the right portion of the note against a brown guilloche underprint. The denomination CIEN PESETAS is printed in large letterpress at centre, with the issue date Madrid 19 de Febrero de 1946 in script below. Three signature lines for Governor, Auditor, and Cashier appear at lower centre. |
|---|---|
| Opschrift voorzijde | Log in om details te zien |
| Beschrijving keerzijde | Central vignette reproduces Goya's painting "El Quitasol" (The Parasol) in intaglio engraving, rendered in brown tones and occupying the left two-thirds of the note. A large ornate guilloche medallion fills the right portion. The denomination CIEN PESETAS appears in letterpress along the lower margin beneath a decorative border frame. |
| Opschrift keerzijde | Log in om details te zien |
| Handtekening(en) | Log in om details te zien |
| Beveiligingstype | Log in om details te zien |
| Beschrijving beveiliging | Log in om details te zien |
| Varianten | Log in om details te zien |
| Opmerkingen |
The Pick 131 is a genuine Banco de España issue, not a replica — the "replica" designation here almost certainly reflects a later reprint or facsimile produced for commemorative or educational purposes, a practice the Fábrica Nacional de Moneda y Timbre has undertaken for several historical series. The original 1946 issue circulated under the Franco regime during Spain's autarky period, when the country was economically isolated following the Civil War and World War II left Spain commercially frozen out of Western recovery programs.
Worth confirming before cataloging further: whether this example carries any overprint, perforation, or paper difference distinguishing it from a genuine circulated specimen.