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100 Pesetas
| Uitgever | Banco de España |
|---|---|
| Jaar | 1948 |
| Type | Log in om details te zien |
| Waarde | Log in om details te zien |
| Valuta | Log in om details te zien |
| Samenstelling | Log in om details te zien |
| Afmetingen | 137 × 88 mm |
| Vorm | Log in om details te zien |
| Drukker | Log in om details te zien |
| Ontwerper(s) | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | Log in om details te zien |
|---|---|
| Opschrift voorzijde | Log in om details te zien |
| Beschrijving keerzijde | Log in om details te zien |
| Opschrift keerzijde | 100 BANCO DE ESPAÑA (Translation: 100 Bank of Spain) |
| Handtekening(en) | Log in om details te zien |
| Beveiligingstype | Log in om details te zien |
| Beschrijving beveiliging | Portrait watermark of Francisco Goya's head, visible in the circular blank area on the left side of the reverse. |
| Varianten | Log in om details te zien |
| Opmerkingen |
The 1948 series marked the Banco de España's first postwar redesign of its higher denominations, issued while Spain remained under autarky and largely cut off from the international printing networks it had used before the Civil War. Production fell entirely to the FNMT in Madrid — a deliberate assertion of domestic industrial capacity, however strained that capacity was.
Antonio Goicoechea, one of the three signatories, had been a founding figure of the monarchist Renovación Española movement and a pre-war negotiator of covert military aid from Mussolini's Italy. His presence on a Francoist banknote was entirely unremarkable by 1948, but the biography is worth noting.