Catalogus
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| Uitgever | Banco de España |
|---|---|
| Jaar | 1907-1931 |
| Type | Log in om details te zien |
| Waarde | Log in om details te zien |
| Valuta | Log in om details te zien |
| Samenstelling | Log in om details te zien |
| Afmetingen | Log in om details te zien |
| Vorm | Log in om details te zien |
| Drukker | Log in om details te zien |
| Ontwerper(s) | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | P#64 |
| Beschrijving voorzijde | Log in om details te zien |
|---|---|
| Opschrift voorzijde | Log in om details te zien |
| Beschrijving keerzijde | Log in om details te zien |
| Opschrift keerzijde | BANCO DE ESPAÑA CIEN PESETAS 100 (Translation: Bank of Spain One Hundred Pesetas) |
| Handtekening(en) | Log in om details te zien |
| Beveiligingstype | Log in om details te zien |
| Beschrijving beveiliging | Log in om details te zien |
| Varianten | P#64a - issued note P#64b - with round embossed Republic validation seal at upper left (1931) |
| Opmerkingen |
Pick 64 spans an unusually long window — 1907 to 1931 — because the Banco de España repeatedly reissued notes from the same plates with updated dates rather than commissioning entirely new designs. Bradbury Wilkinson had been supplying Spanish state printing since the late nineteenth century, and the relationship produced a consistent house aesthetic across multiple denominations.
The notes from the later end of this run circulated during the Primo de Rivera dictatorship and into the early years of the Second Republic. By 1931, the political situation was moving fast enough that this entire series was effectively swept aside by subsequent redesigns.