カタログ
全画像を表示 — 無料登録
Googleで続ける — 無料
またはメールで登録
登録が必要な理由は？ボットからカタログを守るためだけです。メールアドレスは非公開で、共有したり許可なくメールを送ることは一切ありません。それをお約束します！
| 表面の説明 | ログイン して詳細を見る |
|---|---|
| 表面の銘文 | ログイン して詳細を見る |
| 裏面の説明 | A panoramic vignette presents a 19th-century view of the Baía da Praia Grande, rendered in detailed intaglio engraving with fine linework. The bank's circular seal is positioned to the left of the central frame, set against a complex guilloche underprint. The denomination and issuer name appear in the upper and lower margins, completing the composition. |
| 裏面の銘文 | ログイン して詳細を見る |
| 署名 | ログイン して詳細を見る |
| 偽造防止技術 | Watermark |
| 偽造防止の説明 | ログイン して詳細を見る |
| バリエーション | ログイン して詳細を見る |
| コメント |
Bradbury Wilkinson printed extensively for Portuguese colonial and overseas territories through the mid-twentieth century, but by the time this series was commissioned, Macao's political status had shifted considerably — Portugal had formally recognized the territory's Chinese character in 1976, a direct consequence of the Carnation Revolution. The Banco Nacional Ultramarino remained the note-issuing authority despite that shift, a banking arrangement that outlasted the colonial framework it had been built around.
Bradbury Wilkinson was absorbed into De La Rue in 1990, the same year the firm ceased independent operations. This series sits among the final Macanese issues they produced.