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| 表面の説明 | A vignette of Napoleon Bonaparte in bust portrait occupies the right side of the note, rendered in fine intaglio engraving. To the left, the Arc de Triomphe is depicted amid elaborate guilloche underprint interwoven with floral, foliate, and fruit motifs. Musical instruments including lyres and trumpets, together with an artist's palette and a parchment scroll, complete the allegorical composition. |
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| 表面の銘文 | ログイン して詳細を見る |
| 裏面の説明 | A bust portrait of Napoleon Bonaparte is positioned to the left, set against a background of numerous military flags rendered in intaglio. To the right, the gilded dome of the Église des Invalides is represented in fine engraved detail, anchoring the patriotic and historical composition. |
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| 偽造防止技術 | ログイン して詳細を見る |
| 偽造防止の説明 | ログイン して詳細を見る |
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The "Bonaparte" hundred was the first of the nouveau franc series to circulate following the 1960 redenomination, which converted old francs at 100:1 — a reform pushed through under de Gaulle to stabilize a currency that had hemorrhaged credibility through two decades of postwar inflation. Serveau had actually designed the note years earlier; the conversion simply repatriated it into the new numbering system with minimal modification.
Marliat's intaglio work on the face is among the finer engraving of the period, which is saying something given the Banque de France's consistently high standards for its Paris presswork. Armanelli handled the reverse with the same atelier.
The 1964 withdrawal date aligns with the introduction of the Richelieu type, which replaced it after a comparatively short run of five years.