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100 Manat Üzeyir Hacıbəyov
| Emittent | National Bank of Azerbaijan |
|---|---|
| Jahr | 2008 |
| Typ | Anmelden um Details zu sehen |
| Nennwert | 100 Manat |
| Währung | Anmelden um Details zu sehen |
| Material | Anmelden um Details zu sehen |
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| Aversbeschreibung | Three-quarter facing bust effigy of Üzeyir Hacıbəyov, the celebrated Azerbaijani composer, wearing spectacles and a suit, rendered in high relief at center. His name 'ÜZEYİR HACIBƏYOV' appears in the right field. The circular legend 'AZƏRBAYCAN RESPUBLİKASI' frames the upper portion of the design, while the denomination '100 MANAT' is inscribed along the lower periphery. The date '2008' appears to the left of the portrait within the field. The overall design is executed in proof finish with frosted devices against a highly polished field. |
|---|---|
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| Averslegende | Anmelden um Details zu sehen |
| Reversbeschreibung | Central device depicts a scene inspired by a traditional Azerbaijani miniature painting, showing a seated female figure in classical Eastern attire, richly detailed with ornamental garments, accompanied by floral and foliate decorative elements in the background. The composition is rendered in high relief with fine engraving evoking the style of historical Persian and Azerbaijani manuscript illumination. The design is surrounded by a finely beaded border, with the mirror-like proof fields enhancing the artistic depth of the miniature-style imagery. |
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| Zusätzliche Informationen |
Üzeyir Hacıbəyov composed Leyli və Məcnun in 1908, the first opera written in the Muslim world — a fact the Azerbaijani government marked precisely one century later with this issue. The centennial timing was deliberate; Baku had been actively constructing a cultural nationalism rooted in pre-Soviet intellectual figures, and Hacıbəyov, who also wrote the national anthem adopted in 1992, offered an unimpeachable symbol for that project.
The .999 fine standard and 31.1g specification place this squarely in the one-troy-ounce bullion-commemorative category that post-Soviet states favored heavily in the 2000s for international collector markets.