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100 Macaos Fantasy Note Centennial of the Lempira
| Uitgever | Asociación Numismática de Honduras |
|---|---|
| Jaar | 2026 |
| Type | Log in om details te zien |
| Waarde | Log in om details te zien |
| Valuta | Log in om details te zien |
| Samenstelling | Log in om details te zien |
| Afmetingen | Log in om details te zien |
| Vorm | Log in om details te zien |
| Drukker | Log in om details te zien |
| Ontwerper(s) | Bayron Paz Romero, Bayron Paz |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | Log in om details te zien |
|---|---|
| Opschrift voorzijde | Log in om details te zien |
| Beschrijving keerzijde | The reverse presents a full-length vignette of Lempira standing with bow in hand, identified by the epithet "Señor de la Sierra," set within a stylized mountainous landscape representing Erandique Mountain interwoven with indigenous geometric patterns. Two facing profiles, inspired by Honduran banknote designs of 1951 and 1980, flank the central composition. The institutional seal of the Asociación Numismática de Honduras, incorporating elements of the Honduran flag, appears alongside the designer's credit. |
| Opschrift keerzijde | 100 MACAOS HONDURAS Erandique Señor de la Sierra hesachi ASOCIACIÓN NUMISMÁTICA DE HONDURAS (Translation: 100 MACAOS HONDURAS Erandique Lord of the Sierra hesachi NUMISMATIC SOCIETY OF HONDURAS) |
| Handtekening(en) | Log in om details te zien |
| Beveiligingstype | Log in om details te zien |
| Beschrijving beveiliging | Log in om details te zien |
| Varianten | Log in om details te zien |
| Opmerkingen |
Issued by Honduras's numismatic association to mark a century since the lempira replaced the peso in 1931, this is a fantasy note — it carries no legal tender status and was never authorized by the Banco Central de Honduras. The denomination "100 Macaos" is a collector fiction; the real macao is an old colonial-era copper coin of negligible value, long out of use, chosen here presumably for its historical resonance rather than any official standing.
Polymer substrate on a privately commissioned piece of this kind is unusual and points to a deliberately premium production run aimed squarely at the souvenir market.