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100 Livres
| Uitgever | Institut d'Emission de Syrie |
|---|---|
| Jaar | 1950 |
| Type | Log in om details te zien |
| Waarde | Log in om details te zien |
| Valuta | Log in om details te zien |
| Samenstelling | Log in om details te zien |
| Afmetingen | Log in om details te zien |
| Vorm | Log in om details te zien |
| Drukker | Log in om details te zien |
| Ontwerper(s) | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | P#78 |
| Beschrijving voorzijde | Log in om details te zien |
|---|---|
| Opschrift voorzijde | Log in om details te zien |
| Beschrijving keerzijde | Log in om details te zien |
| Opschrift keerzijde | Log in om details te zien |
| Handtekening(en) | Log in om details te zien |
| Beveiligingstype | Watermark |
| Beschrijving beveiliging | Horse head |
| Varianten | Log in om details te zien |
| Opmerkingen |
The Institut d'Emission de Syrie was a short-lived institution, established following Syrian independence from the French Mandate but before the country's own central bank — the Central Bank of Syria — took over currency functions in 1956. This 100 Livres note belongs to that transitional window, when Syria was issuing currency through a dedicated emission body rather than a fully sovereign reserve bank.
Bradbury Wilkinson handled the printing at their New Malden works, as they did for a significant portion of the Arab world's post-colonial note issues during this period. The watermark is the sole security feature — modest by even the standards of the time.