カタログ
全画像を表示 — 無料登録
Googleで続ける — 無料
またはメールで登録
登録が必要な理由は？ボットからカタログを守るためだけです。メールアドレスは非公開で、共有したり許可なくメールを送ることは一切ありません。それをお約束します！
| 表面の説明 | ログイン して詳細を見る |
|---|---|
| 表面の文字体系 | ログイン して詳細を見る |
| 表面の銘文 | ログイン して詳細を見る |
| 裏面の説明 | A standing female figure, symbolic of charity or grace, pours water from a vessel into a stone trough around which three doves have already gathered to drink, while a fourth dove descends in flight toward the scene. The composition is rendered in a classical allegorical style with fine engraved detail. The denomination 'L.100' appears in the field, along with the mint mark 'R' for Rome, the issuer inscription 'CITTA DEL VATICANO', and the engravers' names 'G. TITOTTO' and 'L. DE SIMONI INC.' |
| 裏面の文字体系 | ログイン して詳細を見る |
| 裏面の銘文 | ログイン して詳細を見る |
| 縁 | Reeded |
| 鋳造所 | ログイン して詳細を見る |
| 鋳造数 | ログイン して詳細を見る |
| 追加情報 |
By 1997, Italy's lira was in its final years — the currency would be permanently fixed to the euro in 1999 and withdrawn from circulation in 2002. Vatican coinage, tied to Italian monetary agreements dating back to the 1929 Lateran Treaty, followed suit, making issues from this period among the last 100 Lire pieces the Holy See would ever produce in this denomination. Acmonital — the stainless steel alloy developed by Krupp and adopted across Italian coinage in the 1950s — was chosen for its resistance to wear, an irony given how little time these coins had left in circulation.