目录
查看完整图片 — 免费注册
使用Google继续 — 免费
或用邮箱注册
为什么需要注册？只是为了防止机器人访问我们的目录。您的邮箱完全保密——我们绝不会分享或在未经您许可的情况下发送任何内容。我们向您保证！
| 正面描述 | 登录 以查看详情 |
|---|---|
| 正面铭文 | 登录 以查看详情 |
| 背面描述 | Central vignette presents a double-headed Roman imperial eagle surrounded by an olive-leaf wreath, symbolizing the Eastern and Western Roman Empires — an emblem prominently co-opted during the Fascist era. Above the eagle, a red circular seal bears the fascio littorio, the Etruscan-derived Roman symbol from which the term "fascismo" derives. |
| 背面铭文 | 登录 以查看详情 |
| 签名 | 登录 以查看详情 |
| 防伪类型 | Watermark |
| 防伪描述 | 登录 以查看详情 |
| 变体 | 登录 以查看详情 |
| 备注 |
The Capranesi 100 Lire takes its collector name from Giovanni Capranesi, the engraver-designer whose work defined much of Banca d'Italia's output in the interwar decades. This particular issue falls squarely in the middle of Italy's worst wartime production constraints — paper quality deteriorated noticeably across the 1942–43 printings, and notes from the later end of the run show measurably thinner stock than earlier examples, a known issue with this type that affects survivorship.
The series continued circulating well past the armistice of September 1943, remaining legal tender under both the RSI in the north and Allied-controlled territory in the south — an unusual situation where the same physical notes passed through two entirely separate administrative regimes without modification.