目录
查看完整图片 — 免费注册
使用Google继续 — 免费
或用邮箱注册
为什么需要注册？只是为了防止机器人访问我们的目录。您的邮箱完全保密——我们绝不会分享或在未经您许可的情况下发送任何内容。我们向您保证！
| 正面描述 | 登录 以查看详情 |
|---|---|
| 正面铭文 | 登录 以查看详情 |
| 背面描述 | At centre, an encircled portrait vignette of Italia Turrita faces left, set within a double-ring border, itself surrounded by elaborate guilloche ornaments in varying tones of green and grey that connect all design elements and loop around the two outer circles. The denomination 100 and CENTO appear in each corner, at upper and lower centre, along the inner circle border and within a matrix strip on the right border, rendered in white against the green and grey ground. Series number appears at upper left and lower right; serial number at upper right and lower left. |
| 背面铭文 | 100 - CENTO - CENTO - 100 - CENTO - CENTO - 100 BIGLIETTO GIA' CONSORZIALE (Translation: 100 - HUNDRED - HUNDRED - 100 - HUNDRED - HUNDRED - 100 ALREADY CONSORTIUM TICKET) |
| 签名 | 登录 以查看详情 |
| 防伪类型 | 登录 以查看详情 |
| 防伪描述 | 登录 以查看详情 |
| 变体 | 登录 以查看详情 |
| 备注 |
Banca Nazionale nel Regno d'Italia was not Italy's central bank in any modern sense — it was the dominant but perpetually contested issuing institution in a country that still permitted several regional banks to print competing currency. The 1882 date places this note squarely in that uneasy pluralism, nearly two decades before the Banca d'Italia absorbed it in 1893 following the catastrophic Banca Romana scandal, which exposed fraudulent over-issuance across the Italian banking system and forced a long-overdue consolidation.
Printing at the San Teodoro facility in Rome was handled entirely in-house by the state apparatus — unusual for the period, when major European issuers routinely contracted private security printers abroad. The watermark remains the sole mechanical security feature on this type.