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| 表面の説明 | At right, an intaglio portrait vignette of President Mustafa Kemal Atatürk in three-quarter view, dressed in a suit and tie, set within an ornate geometric border. The denomination '100' appears in large numerals at upper left and upper right, with the text 'YÜZ TÜRK LİRASI' centered below the bank title. A serial number and series prefix appear twice on the note, with two facsimile signatures at the lower center beneath a guilloche underprint in rose-brown tones. |
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| 表面の銘文 | ログイン して詳細を見る |
| 裏面の説明 | The reverse presents a landscape vignette of a coastal fortress, believed to be along the Dardanelles, rendered in fine intaglio line engraving with hills and water in the background. The scene is framed by an elaborate architectural arch motif flanked by ornamental panels with floral and geometric guilloche patterns. The denomination '100' appears at upper left and upper right within the decorative border, with the value inscription at the bottom center. |
| 裏面の銘文 | ログイン して詳細を見る |
| 署名 | ログイン して詳細を見る |
| 偽造防止技術 | ログイン して詳細を見る |
| 偽造防止の説明 | ログイン して詳細を見る |
| バリエーション | ログイン して詳細を見る |
| コメント |
This note holds a peculiar historical position: 1938 was the year Atatürk died, on November 10th, and the Central Bank was already mid-cycle with this series. Notes bearing his name and image continued to circulate unchanged for years afterward, the design effectively frozen at the moment of his death. Turkey did not rush to redesign its currency around a successor — there was no clean break, and the plates simply kept running.
De La Rue's involvement was long-standing; Turkey relied heavily on British security printers throughout the early Republican period, lacking domestic high-security printing capacity.