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100 lira
| Emittent | Hranilnica Ljubljanske Pokrajine (Sparkasse der Provinz Laibach) |
|---|---|
| Jahr | 1944 |
| Typ | Anmelden um Details zu sehen |
| Nennwert | Anmelden um Details zu sehen |
| Währung | Anmelden um Details zu sehen |
| Material | Anmelden um Details zu sehen |
| Größe | Anmelden um Details zu sehen |
| Form | Anmelden um Details zu sehen |
| Druckerei | Anmelden um Details zu sehen |
| Designer | Anmelden um Details zu sehen |
| Stecher | Anmelden um Details zu sehen |
| Im Umlauf bis | Anmelden um Details zu sehen |
| Referenz(en) | P#R7 |
| Vorderseitenbeschreibung | Anmelden um Details zu sehen |
|---|---|
| Vorderseitenlegende | DENARNA NAKAZNICA ZA LIR STO 100 Ser. B HRANILNICA LJUBLJANSKE POKRAJINE Predsednik: Glavni ravnatelj: Ponarejanja je kaznivo po zakonu. |
| Rückseitenbeschreibung | The reverse mirrors the teal-blue colour scheme and wavy underprint of the obverse, with the German-language heading GELDANWEISUNG ÜBER at centre-top above the same gold guilloche panel enclosing the numeral 100. The oval intaglio vignette of the partisan figure is repositioned to the right, while the circular eagle watermark medallion appears at left. The denomination numeral 100 is repeated in all four corners within the geometric border, and two manuscript signatures of the Vorsitzender and Generaldirektor are placed above the issuer legend SPARKASSE DER PROVINZ LAIBACH, with the anti-counterfeiting warning Nachahmung wird gesetzlich bestraft at lower left. |
| Rückseitenlegende | Anmelden um Details zu sehen |
| Unterschrift(en) | Anmelden um Details zu sehen |
| Sicherheitsmerkmal | Anmelden um Details zu sehen |
| Beschreibung der Sicherheitsmerkmale | Anmelden um Details zu sehen |
| Varianten | Anmelden um Details zu sehen |
| Anmerkungen |
Hranilnica Ljubljanske Pokrajine was the savings institution of the Italian-administered Province of Ljubljana, established after Italy's occupation of the Slovenian capital in April 1941. This 1944 note appeared after Italy's September 1943 armistice — by which point the province had passed to German military control — making its bilingual Slovenian-Italian institutional name something of an anachronism still carrying the imprint of the previous occupying authority.
Janez Trpin was a Slovenian graphic artist whose involvement in wartime printing work under occupation remains a complicated chapter in the history of Slovenian applied arts. The watermark is the sole security measure, modest even by the standards of wartime emergency issues.