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| Uitgever | Central Bank of Myanmar |
|---|---|
| Jaar | 1994-1996 |
| Type | Standard circulation banknote |
| Waarde | Log in om details te zien |
| Valuta | Log in om details te zien |
| Samenstelling | Log in om details te zien |
| Afmetingen | Log in om details te zien |
| Vorm | Log in om details te zien |
| Drukker | Log in om details te zien |
| Ontwerper(s) | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | Log in om details te zien |
|---|---|
| Opschrift voorzijde | Log in om details te zien |
| Beschrijving keerzijde | The central vignette, set within an oval cartouche framed by a stylised peacock-feather guilloche in orange and red, presents an intaglio scene of artisans engaged in traditional decorative stucco work, with a Burmese pagoda and palm trees visible in the background. To the right, an additional figure applies ornamental relief to a large architectural column element. The upper border carries the issuer's name in English within a dark panel, while the lower border bears the denomination legend in English, with numeral 100 repeated at both lower corners. |
| Opschrift keerzijde | Log in om details te zien |
| Handtekening(en) | Log in om details te zien |
| Beveiligingstype | Log in om details te zien |
| Beschrijving beveiliging | Log in om details te zien |
| Varianten | P#74a - (1994) solid security thread series AB-AL P#74b - (1996) segmented security thread series AM-FJ |
| Opmerkingen |
Myanmar's Security Printing Works at Wazi produced this note domestically — a point worth noting given the country's near-total economic isolation under the SLORC junta through the mid-1990s. The regime had renamed both the country and its central bank in 1989, and the currency series that followed reflected a deliberate effort to project institutional normalcy from a government that had just annulled a general election.
The watermark is the sole documented security feature, which left the series relatively exposed to counterfeiting — a persistent problem in Myanmar through this period, particularly along the Thai and Chinese border trade corridors.