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100 Kroner Flagstad, polymer pattern
| Uitgever | Norges Bank |
|---|---|
| Jaar | 1995 |
| Type | Log in om details te zien |
| Waarde | Log in om details te zien |
| Valuta | Log in om details te zien |
| Samenstelling | Log in om details te zien |
| Afmetingen | Log in om details te zien |
| Vorm | Log in om details te zien |
| Drukker | Norges Bank's Printing Works (Norges Banks Seddeltrykkeri), Norway (1816-2007) |
| Ontwerper(s) | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | Log in om details te zien |
|---|---|
| Opschrift voorzijde | Log in om details te zien |
| Beschrijving keerzijde | Aerial vignette of the main auditorium of the Folketeater in Oslo rendered in fine intaglio line work, viewed from above, occupying the central field against a complex guilloche underprint in red and blue tones. Denomination numeral 100 appears upper right with date 1995 below, and two facsimile signatures appear to the right of the vignette. |
| Opschrift keerzijde | NOREGS BANK 100 1995 100 HUNDRE KRONER |
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| Beveiligingstype | Log in om details te zien |
| Beschrijving beveiliging | Log in om details te zien |
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| Opmerkingen |
Norway's mid-1990s polymer trials were part of a quiet but serious internal debate at Norges Bank about whether to shift substrate entirely — a debate that ultimately concluded in favor of staying with cotton paper. This piece is one of the pattern notes produced during that evaluation, never intended for circulation. Flagstad refers to Kirsten Flagstad, the Norwegian soprano, whose image the production series used as its design anchor.
The note was printed in-house at Norges Banks Seddeltrykkeri in Oslo, one of the few European central bank printing works still producing its own currency at that time. That facility closed in 2007.