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| 表面の説明 | The obverse reproduces the 1931 Czechoslovak 100 Korun note with a red two-line rectangular overprint reading 'SLOVENSKÝ ŠTÁT' applied across the centre by the newly proclaimed Slovak State. To the left stands an allegorical male youth figure with a falcon, while an oval portrait vignette of a young woman in classical dress occupies the right. The central inscription reads 'STO KORUN ČESKOSLOVENSKÝCH' in bold letterpress, with the issuing authority text 'NÁRODNÍ BANKA ČESKOSLOVENSKÁ' partially visible beneath the overprint. |
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| 表面の銘文 | ログイン して詳細を見る |
| 裏面の説明 | The reverse presents a richly engraved allegorical composition in intaglio, with a seated female figure and a standing male figure flanking a central medallion. The medallion contains an oval portrait of Tomáš Garrigue Masaryk facing right, surrounded by a wreath. The denomination '100' appears in all four corners against a fine guilloche underprint, with the multilingual value inscription 'STO KORUN ČESKOSLOVENSKÝCH / CTO Kč / HUNDERT- Kč / SZÁZ Kč' set in the centre panel. |
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| 署名 | ログイン して詳細を見る |
| 偽造防止技術 | ログイン して詳細を見る |
| 偽造防止の説明 | ログイン して詳細を見る |
| バリエーション | ログイン して詳細を見る |
| コメント |
When the Slovak State was proclaimed on 14 March 1939, the new authorities had no banknotes of their own. The solution was blunt: existing Czechoslovak 100 Korún notes were overprinted "SLOVENSKÝ ŠTÁT" and reissued as Slovak currency, with Národná Banka Slovenska declared the issuing authority. The underlying notes continued to be printed at the same Prague facility that had produced them for Czechoslovakia — the political rupture outpaced any logistical one.
Schirnböck was a Vienna-trained engraver whose work appeared across several Central European issues of the interwar period; his collaboration with Švabinský on this series predates the overprint by years. The note's legitimacy as Slovak currency rested entirely on that stamp.