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100 Korun
| Uitgever | Slovenská Národná Banka |
|---|---|
| Jaar | 1945 |
| Type | Log in om details te zien |
| Waarde | Log in om details te zien |
| Valuta | Log in om details te zien |
| Samenstelling | Log in om details te zien |
| Afmetingen | Log in om details te zien |
| Vorm | Log in om details te zien |
| Drukker | Log in om details te zien |
| Ontwerper(s) | Štefan Bednár |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | Log in om details te zien |
|---|---|
| Opschrift voorzijde | STO KORÚN SLOVENSKÝCH SLOVENSKÁ NÁRODNÁ BANKA V BRATISLAVE FALŠOVANIE BANKOVIEK SA TRESTÁ Š. BEDNÁR |
| Beschrijving keerzijde | The reverse is printed entirely in green tones and carries a large allegorical vignette on the left side: a female figure in traditional costume seated among agricultural produce, barrels, and sheaves, with a double-barred cross (Slovak national symbol) at her side. The central panel bears the denomination '100 STO KORÚN SLOVENSKÝCH' in bold intaglio, with multilingual denomination lines below reading 'HUNDERT . KS . / CTO KS . SZÁZ KS'. A blank oval reserve appears at the right, and the text 'SLOVENSKÁ NÁRODNÁ BANKA' is inscribed at the top centre. The note is marked 'II. Emisia' in the left margin, and the engraver's name 'Š. BEDNÁR' appears at the lower left. |
| Opschrift keerzijde | Log in om details te zien |
| Handtekening(en) | Log in om details te zien |
| Beveiligingstype | Log in om details te zien |
| Beschrijving beveiliging | Log in om details te zien |
| Varianten | Log in om details te zien |
| Opmerkingen |
This note was printed by Giesecke & Devrient in Leipzig under German occupation-era contract arrangements, then overprinted for use by the newly reconstituted Slovenská Národná Banka as the war's end reshaped central European monetary authority. The overprint stamp is the operative detail — it converted existing printed stock into legitimate Slovak currency without requiring an entirely new production run, a practical solution under chaotic postwar logistics.
Štefan Bednár's design work for Slovak wartime issues gives this series a distinct local character unusual for notes produced abroad.