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100 Gulden Michiel Adriaenszoon de Ruyter
| Uitgever | De Nederlandsche Bank |
|---|---|
| Jaar | 1970 |
| Type | Log in om details te zien |
| Waarde | Log in om details te zien |
| Valuta | Log in om details te zien |
| Samenstelling | Log in om details te zien |
| Afmetingen | Log in om details te zien |
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| In omloop tot | 27 January 2002 |
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| Beschrijving voorzijde | Log in om details te zien |
|---|---|
| Opschrift voorzijde | 100 amsterdam / 14 mei 1970 de nederlandsche bank HONDERD GULDEN (Translation: 100 Amsterdam / May 14, 1970 Bank of the Netherlands One Hundred Gulden) |
| Beschrijving keerzijde | Dark brown on multicolor underprint, dominated by a large, intricately rendered compass rose vignette at center, executed in a geometric, modernist style with fine guilloche line work radiating outward in multiple layers. The left panel incorporates a patchwork of multicolor geometric patterns and microprinted anti-counterfeiting text, while denomination numerals '100' appear in large brown figures at lower left and upper right. Designer and printer credits are printed in small letterpress text along the bottom margin. |
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| Opmerkingen |
Ootje Oxenaar's redesign of the Dutch banknote series in the late 1960s broke decisively with the staid engraved portraiture that had defined European note design for generations. His approach was graphic rather than reproductive — flat color fields, geometric abstraction, a visual language closer to poster design than traditional intaglio. The 100 Gulden was his first note in production, and it marked a turning point for Enschedé's output that influenced how Dutch notes would look for the next three decades.
Oxenaar later became head of design at PTT, where the same sensibility shaped Dutch stamps and postal identity. The De Ruyter note is where that career effectively began.