目录
查看完整图片 — 免费注册
使用Google继续 — 免费
或用邮箱注册
为什么需要注册？只是为了防止机器人访问我们的目录。您的邮箱完全保密——我们绝不会分享或在未经您许可的情况下发送任何内容。我们向您保证！
| 正面描述 | 登录 以查看详情 |
|---|---|
| 正面铭文 | 登录 以查看详情 |
| 背面描述 | Printed in brown on cream paper, the reverse is dominated by a large central guilloche medallion of circular form, flanked by horizontal bands of intricate lathe-work ornament. The four corner panels and the top and bottom borders carry repeated micro-text underprint reading BANQUE DE L'INDO-CHINE in fine letterpress, while the side margins repeat the same legend in vertical columns. The overall design is purely typographic and ornamental, with no pictorial vignette. |
| 背面铭文 | L`ART. 139 DU CODE PÉNAL PUNIT DES TRAVAUX FORCÉS A PERPÉTUITÉ CEUX QUI AURONT CONTREFAIT OU FAL- SIFIÉ LES BILLETS DE BANQUES AUTORISÉES PAR LA LOI, AINSI QUE CEUX QUI AURONT FAIT USAGE DE CES BILLETS CONTREFAITS OU FAL- SIFIÉS, CEUX QUI LES AURONT INTRO- DUITS SUR LE TERRITOIRE FRAN- ÇAISE SERONT PUNIS DE LA MÊME PEINE. BANQUE DE L`INDO-CHINE (Translation: Article 139 of the Penal Code punishes with forced labor for life those who have counterfeited or falsified bank notes authorized by law, as well as those who have made use of these counterfeited or falsified notes; those who have introduced them onto French territory shall be punished with the same penalty. Bank of Indochina) |
| 签名 | 登录 以查看详情 |
| 防伪类型 | 登录 以查看详情 |
| 防伪描述 | 登录 以查看详情 |
| 变体 | 登录 以查看详情 |
| 备注 |
Banque de l'Indo-Chine's 100 Francs series ran through multiple decree-dated variants, but this particular issue was released without decree dates printed on the face — a deliberate administrative choice reflecting the transitional currency arrangements of the early postwar period, when the bank held concurrent privileges across French Indochina and several Pacific territories. The absence of decree text is the diagnostic detail for collectors separating this from otherwise near-identical issues.
Wullschleger's intaglio work was executed at Banque de France's workshops in Paris, the same facility producing metropolitan French issues of the period. Bramtot died in 1913, so his design contribution predates the actual printing by several years — his figures were adapted posthumously for this production run.