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| 表面の説明 | Gray and black intaglio print on a yellow and green guilloche underprint. A portrait of King Christian IX is positioned at the left, accompanied by a palm tree vignette at right and an oval medallion at upper centre enclosing an engraved street scene of Charlotte Amalie. Bilingual legends in Danish and English frame the design, with the denomination expressed as 100 Francs in gold. |
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| 表面の銘文 | ログイン して詳細を見る |
| 裏面の説明 | Printed in orange on white paper, the reverse carries a large central oval vignette with a panoramic engraved view of Charlotte Amalie, St. Thomas, mountains and harbour visible in the background. Corner cartouches bear the denomination numeral 100, and an ornate guilloche border frames the entire composition. The reverse legend appears in Danish, stating the note's redeemability in Copenhagen in gold francs or Scandinavian gold currency. |
| 裏面の銘文 | ログイン して詳細を見る |
| 署名 | ログイン して詳細を見る |
| 偽造防止技術 | ログイン して詳細を見る |
| 偽造防止の説明 | ログイン して詳細を見る |
| バリエーション | ログイン して詳細を見る |
| コメント |
Den Dansk-Vestindiske Nationalbank was a private commercial institution, not a central bank in the modern sense — it held the note-issuing concession for the Danish West Indies from 1904 and operated from St. Thomas. The islands were a marginal colonial possession by this point, and the bank's capitalization and note circulation were both modest. Bradbury Wilkinson, already well established as a security printer for colonial currencies across the British Empire, was the logical choice for a Danish colonial authority that lacked any domestic printing infrastructure suited to the work.
The United States purchased the Danish West Indies in 1917 for $25 million. Notes of this bank were redeemed and withdrawn; surviving examples in any condition are genuinely scarce.