Catalogue
| Émetteur | Burundi |
|---|---|
| Année | 1962 |
| Type | Non-circulating coin |
| Valeur | 100 Francs |
| Devise | Franc (1962-date) |
| Composition | Gold (.900) |
| Poids | 32 g |
| Diamètre | 35 mm |
| Épaisseur | |
| Forme | Round |
| Technique | Milled |
| Orientation | |
| Graveur(s) | |
| En circulation jusqu’à | |
| Référence(s) | KM#5 |
| Description de l’avers | MWAMBUTSA IV MWAMI DU BURUNDI |
|---|---|
| Écriture de l’avers | Latin |
| Légende de l’avers | Mwambutsa IV Mwami du Burundi. |
| Description du revers | ROYAUME DU BURUNDI INDEPENDENCE 1962 100 FRANCS around edge. |
| Écriture du revers | Latin |
| Légende du revers |
ROYAUME DU BURUNDI INDEPENDANCE 1962 100 FRANCS (Translation: Kingdom of Burundi) |
| Tranche | |
| Atelier | |
| Tirage |
1962 - - 2 500 |
| ID Numisquare | 1959089030 |
| Informations supplémentaires |
Historical Context: The 1962 100 Francs gold coin from Burundi commemorates the nation's declaration of independence from Belgian colonial rule on July 1, 1962. This issue features Mwambutsa IV Bangiricenge, the last King of Burundi, who reigned from 1915 until his deposition in 1966. The coin serves as a powerful numismatic testament to Burundi's newfound sovereignty and its aspirations as an independent monarchy, marking a critical juncture in the country's history.
Artistry: The coin's design typically features a dignified bust of King Mwambutsa IV on the obverse, embodying the regal authority of the newly independent state. While specific engraver details are often unrecorded, the stylistic approach generally reflects a blend of European medallic tradition with national symbolism. The reverse typically displays the denomination, year, and national symbols, such as the royal drum (karyenda) or elements from the Burundian coat of arms, symbolizing cultural heritage and statehood.
Technical/Grading: Struck in .900 fine gold, this substantial 32-gram coin exhibits excellent striking properties characteristic of precious metal issues. Key high-points typically include the highest relief areas of King Mwambutsa IV's effigy, such as his hair, ear, and any crown or regalia. On the reverse, the central national emblem and the lettering's finer details are critical. Collectors should seek sharp, well-defined strikes with minimal contact marks, as proof-like fields are often encountered.