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| Emittent | Banque de France |
|---|---|
| Jahr | 1923-1937 |
| Typ | Standard circulation banknote |
| Nennwert | Anmelden um Details zu sehen |
| Währung | Anmelden um Details zu sehen |
| Material | Anmelden um Details zu sehen |
| Größe | Anmelden um Details zu sehen |
| Form | Anmelden um Details zu sehen |
| Druckerei | Anmelden um Details zu sehen |
| Designer | Anmelden um Details zu sehen |
| Stecher | Anmelden um Details zu sehen |
| Im Umlauf bis | Anmelden um Details zu sehen |
| Referenz(en) | Anmelden um Details zu sehen |
| Vorderseitenbeschreibung | Central vignette presents allegorical female personifications of Agriculture and Commerce seated at left and right respectively, each accompanied by a child, surrounded by fruits and elaborate vegetal ornamentation. The composition is framed by richly detailed golden guilloche moldings. Denomination and issuer legends are inscribed around the design, with engraver and designer credits at lower center. |
|---|---|
| Vorderseitenlegende | Anmelden um Details zu sehen |
| Rückseitenbeschreibung | Allegorical vignette presents a male figure of Work, rendered as a blacksmith, at left, and Fortune as a woman with a child and cornucopia at right, the two figures flanking the central reserve. The entire composition is enclosed within ornate golden guilloche moldings consistent with the obverse. Issuer name, denomination, and a statutory anti-counterfeiting warning are inscribed within the design, along with engraver and designer credits. |
| Rückseitenlegende | Anmelden um Details zu sehen |
| Unterschrift(en) | Anmelden um Details zu sehen |
| Sicherheitsmerkmal | Anmelden um Details zu sehen |
| Beschreibung der Sicherheitsmerkmale | Anmelden um Details zu sehen |
| Varianten | Anmelden um Details zu sehen |
| Anmerkungen |
Luc Olivier Merson won the Prix de Rome in 1869 and spent much of his career as a decorative muralist and stained-glass designer — his work appears in the Sacré-Cœur basilica. That background shows in this note's compositional ambition, and Romagnoli's engraving work for the Banque de France was among the most technically accomplished of the interwar period.
The "large cartridges" distinction separates this from the 1906 type's later printings, which modified those ornamental cartouche elements — a detail that matters for accurate attribution since the two types overlap in date and share the same Pick number family. Three distinct signature pairings across a fourteen-year run document the note's unusual longevity in active issue.